While living in United States during 2002 to 2012, and Europe predominantly United Kingdom between 2012 to 2018, Sheung Hei Yeung moved to Beijing China in 2018. She lives and work there since. She began to explore the vibrant colors brushstrokes as exploring painting surfaces in large scale of wall size equivalence. As well as experimentation with multiple panels paintings. She used oil painting from the heavily opaque toward defused brushwork submerge between one another. These map shape and line do not represent specific location or continent rather they are just self define portraits. Her ideas draws from western graffiti art where voice of the marginal as well as eastern approach, which the goal of the portraits are not aiming for similarity toward actual appearance . As her upbringing in Hong Kong during colonial period, the ambivalence of identity between western and eastern culture in terms of holistic and chaotic, order and disorder, existent place to non existence place. The blooming of the capitalism, patriarchy is been considered normality. The brushstrokes from the painting start building up one by one and develop unto the net like form thus create a system or social order where also provide protection. However, the net like form also create internal segregation.
Sheung Hei Yeung 